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| Freda
Kelsall founded Bridge Theatre in 1987 in Hebden Bridge in the
South Pennines. |
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was an amateur-owned Little Theatre (a converted bus garage) by the
newly-restored canal, providing an intimate venue. Also, the area
was a popular base for professional actors and theatre practitioners,
midway between YTV and Granada. |
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| The
company began with an original Christmas play Jane And The Magic
Pumpkin, |
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with music by Christopher Irvin, which was booked the following
year by Kirklees M.B.C. |
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By
this time, it had also provided a summer repertory season (The Importance
Of Being Earnest, Arms And The Man, Hedda Gabler) in Hebden Bridge. |
More
Christmas shows and repertory seasons followed, there, and at the
Venn Street Arts Centre,
Huddersfield, |
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| (Blithe
Spirit, Trafford Tanzi, All My Sons, Uncle Vanya)until
1990 when the erstwhile bus garage was due to be demolished to make
way for a new theatre on the same site. |
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Yorkshire Arts advised
the company to try touring. 'Bridge' performed at theatrical and
non-theatrical venues, mainly in the north of England, while Hebden
Bridge Little Theatre was being rebuilt. These ranged geographically
from the Whitehaven Rosehill to Chipping Norton Theatre, and included
Municipal Halls, Churches and Chapels. The most easterly venue
was Sheringham Little Theatre, North Norfolk, which was to become
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Melanie Revill
in "Trafford Tanzi"
1989 |
the focus for twelve
summer repertory seasons. Meanwhile, Hebden Bridge
Little Theatre re-opened, and the company performed more summer
seasons there in tandem with Sheringham and revived the Christmas
shows. |
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| 'Bridge'
toured classic plays with the support of the National Council For
Civic Theatre, (The Recruiting Officer, The Taming Of The Shrew, As
You Like It), made regular visits to other venues, eg. the Richmond
Georgian Theatre, and provided autumn, winter and spring repertory
seasons at Chesterfield Pomegranate Theatre and Buxton Opera House.
Between the summer seasons 1996 and 1997, Sheringham Little Theatre
was also completely gutted and rebuilt. |
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Michael Strobel
in "Groping for Words"
1991
The company
has had very little direct public funding itself, but its activity
has helped to attract funding for host venues.
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Bridge Theatre's celebration
of repertory for Summer 2005 was staged at The
Auden Theatre, Gresham's School, Holt, Norfolk. This state-of-the-art
300-seat theatre opened seven years ago, and its beautiful setting
and mixed programming have already endeared it to local audiences,
making a major contribution to the performing arts in this region.
In previous summers,
Bridge Theatre has conducted workshops and taken part in a shared
production of Under Milk Wood with senior students . The company looks forward
to being reunited with its friendly audiences from near and far
in these hospitable and welcoming new surroundings. |
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